![]() O últimas reportagens está ainda mais próximo, presente agora na rede social facebook disponibiliza diariamente e em primeira mão novos conteúdos, que incluem o acesso constante a publicações on-line e revistas com fotografias de Fernando Guerra, últimos destaques, reportagens completas e exclusivas, uma lista base com todas as reportagens e o UR daily que diariamente exibe uma nova fotografia que representa uma reportagem diferente no ultimasreportagens.com Últimas reportagens is now on Facebook with daily and firsthand updates that include continuous access to online publications with Fernando Guerra photographs, latest highlights, complete and exclusive articles, a basic list of all pieces, and the UR daily which posts a new photograph from a different article on ultimasreportagens.com. últimas reportagens on facebook |
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"Uma ópera sem memória? Foi de esplendor efémero a estreia de Antigono em 1755. Nesse Outono fatídico de Lisboa, a produção em cena era das mais luxuosas da época e contava com um elenco de prestígio internacional: um dos castrati era Gaetano Guadagni (o eleito de Handel para cantar no Messias e o primeiro Orfeu na ópera de Gluck). O Divino Sospiro quer resgatar esse esplendor e dar-lhe a vida que ficou perdida nas ruínas do grande terramoto..." "An opera without memory? The debut of Antigono in 1755 had an ephemeral splendour. In that fateful Autumn in Lisbon, the production was one of the most luxurious of the season and had a cast of international prestige: Gaetano Guadagni was one of the castrati (the chosen one to sing in Handel's Messiah and the first Orpheus in Gluck's opera). The Divino Sospiro wants to rescue that splendour and give it the life that was lost in the ruins of the earthquake..." ver Antigono / see Antigono |
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December issue 2010 Text by Marco Mulazzani / Casabella “Finally, Alvaro Siza went to Korea, when the construction of the museum had almost been completed. The photographs by Fernando Guerra show him, as we would expect to see him, intent on drawing - or, if you prefer, on storing up other memories, certainly to be "forgotten" when the time comes to start a new project. Perhaps, had the Kublai Khan met him, he would have spoken to him with words similar to those addressed to Marco Polo: «It seems to me that you recognize cities better in the atlas than by visiting them in persona. We'd like to imagine an answer given by the Portuguese architect, not so different from the one supplied by the Venetian: ((Traveling, one notices that the differences tend to fade: every city starts to resemble all the others, places seem to swap form, order and distances, a formless dust invades the continents. Your atlas stores the differences, intact: that assortment of qualities that are like the letters of the names. The same qualities of the atlas of Kublai Khan, perhaps, can be seen in the "atlas" of Siza - from which, until each form has found its architecture, new works of architecture will continue to be born.” more about Minesis Museum casabella web site |
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No arranque deste novo projecto teremos 3 colecções de 12 imagens cada, disponíveis em dois formatos. Com uma edição limitada de vinte exemplares, a selecção de imagens será aumentada regularmente. As imagens serão acompanhadas por um certificado de autenticidade assinado pelo autor e marcadas na margem inferior direita com um selo branco Digigraphie. O serviço de entrega está disponível para todo o mundo. Um agradecimento especial à Epson que nos certificou com a qualidade Digigraphie, que garante não só a qualidade das impressões como a sua longevidade. For the launch of this new project, 3 collections of images have been made available in two formats. With a limited edition of twenty prints, the selection of images will be regularly expanded. The images will be accompanied by a certificate of authenticity signed by the author and contain a white Digigraphie seal in the lower right hand corner. Worldwide delivery is available. Special thanks goes to Epson for certifying us with Digigraphie quality, guaranteeing not only the quality of the prints, but also their longevity. |
Ir para loja | go to store |
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João Luís Carrilho da Graça | Archaeological Center "São Jorge" Castle Lisbon, Pt - See more on ultimasreportagens |
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